Friday 30 July 2021

TRAILER ANALYSIS

TRAILER ANALYSIS


American Sniper (2014)

The trailer for American Sniper (2014) is effective in creating tension and making the film appeal to audiences through the use of visual and audio codes whilst also successfully attaining the intended genre of war and action. 
The trailer begins with the diegetic sound of someone loading a gun before the camera cuts away from a blackout to a mid-shot of a sniper. This instantly creates tension as the mise-en-scene has connotations of violence whilst also teasing the audience with suggestions of action. 
Following this, the camera pans up from the gun slowly to reveal a close up shot of Bradley Cooper which further hooks the audience as he is a well-known and much-loved actor. It becomes clear that Bradley Cooper is the main character through the flashbacks that show him with his family which provide the audience with hints of an emotional backstory but does so without giving too much away. The trailer has an extremely bland and dull colour palette which helps to establish the genre whilst the diegetic sounds of gunshots and bombs allow the film to come across as one that has a strong sense of realism about the reality of war. Adding to this, the trailer includes a dramatic crescendo as the cuts and non-diegetic music increase in pace. - we can hear the sounds of a heart-beat quickening, panicked breaths and the Shepard Tone Glissando getting louder and louder which successfully puts the audience on the edge of their seat and makes them want to go watch the film. 

Gravity (2013)

The story of Gravity (2013) follows a medical engineer and a veteran astronaut whose space shuttle is destroyed, leaving them stranded in deep space with no link to Earth and no hope of rescue. The trailer begins with intertitles before launching straight into an intense scene where a wide shot shows the shuttle spinning out of control with one of the astronauts attached to it. The trailer works successfully in creating a strong sense of panic and urgency through both visual and audio codes. Throughout, there is both diegetic and non-diegetic sound - hyperventilating and panicked screams from the astronaut spinning as well as the use of Shepherd Tone. These techniques work hand in hand with the visual codes as the cuts move in sync
with the breathing pattern heard. This is effective as it allows the audience to emulate the emotion and feelings of alarm and terror seen on screen. 
The Sci-Fi/Thriller genre is also established throughout as in many of the shots, captured in the background is Earth so it is clear to the audience the action is taking place in space. 
The trailer also gains audience attention as the intertitles show off the A-List actors used in the film - Sandra Bullock and George Clooney as well as highlighting the fact that the director of the film is Alfonso Cuaron, who is known for many successful films and so audiences will see his name and feel encouraged to go out and watch it. Adding to this, at the beginning of the trailer, the Warner Brothers ident shows on screen which also helps the film to gain a more superior and professional reputation.


Cloverfield (2008)

The trailer for Cloverfield (2008) is effective in selling the film through the use of editing. All of the camera shots are shaky and jolty to give the effect they are coming from the POV of a camera that one of the characters is holding. This adds to the thrill of the film as when something comes across the screen, the angle means that the audience cannot fully see what it is. However, the effect of this is really enhanced after the editing is added as the footage becomes scratched, broken up and of mediocre quality. 
The audio is also given a slightly worse quality to make it seem the audience are watching the action through the camera. The cuts between shots are edited so that the camera is winding back and forth between footage and is done so at a quick pace so the intensity of the action is heightened as the audience only get a glimpse of scenes from the film at a time. This also works well so that the trailer makes the film look thrilling but doesn't give too much of the plot line away. 
Cloverfield is an Action/Horror/Sci-Fi/Thriller and the trailer's introduction into a central conflict matches up with this style of film neatly for example, the dark colour scheme used throughout suggests thrill and uncertainty. Although the trailer does not showcase any A-List actors, it does a good job of teasing action right from the start and flaunting the gripping conflict that the characters have to face in the film.


The Birth of A Nation (2016)

The first thing that is used within the trailer to gain audience attention is the intertitles that showcase awards that the film has won at the Sundance Film Festival. This gives the film a certain type of prestige and makes audiences feel it is worth seeing. Additional intertitles show that the film is 'based on a true story' which works well to link to the Biography/Drama/History genre and appeal to the target audience of the film who would appreciate this kind of element in the film. Visual codes such as the mise-en-scene also highlights the genre such as the clothes the characters are wearing which suggest it is from a past time period.
 The genre and realism of the film is also suggested through the dark and cold colour schemes which give the film connotations of sadness which matches with the key themes such as racism and slavery. 
The audio codes used in the trailer are successful in heightening the emotion such as the sound effect of chains used throughout whenever a shot of slaves doing their work is shown. Equally, non-diegetic music plays such as 'Rise Up' by Andra Day which also adds to the intensity of the trailer. 

Nocturnal Animals (2016)

This trailer focuses on introducing the audience to the main character right from the start as the first shot is a extra-close up of a woman's face with her voice-over on the top making it clear to the audience that she plays a major role within the film. As well as this, the trailer introduces the main conflict she faces but does so without giving much away - it relates to her husband but there are gaps in the storyline that mean the audience has to follow through and watch the rest of the film to fill in those gaps. 
Many of the visual codes help to infer the genre of the film such as the rapid cuts and tease of intense action. There is a clear dramatic crescendo as the trailer moves along which is most evident through the addition of non-diegetic music. There is a descending ostinato figure that sounds coincides with the spiralling action happening on screen which successfully intensifies the film making it look more appealing to audiences interested in Thriller/Mystery style films.
There are intertitles to show off some of the Unique Selling Points of the film such as the number of A-List actors : Amy Adams; Jake Gyllanhaal; Armie Hammer; Isla Fisher and Aaron Taylor-Johnson. Equally, the trailer mentions the director Tom Ford and other successful works that have made him well-known ('Acclaimed director of A Single Man') which helps audiences to make connections and those who follow his works will recognise his name and will want to watch the film. 

5 comments:

  1. AMERICAN SNIPER: Although relatively succint, your analysis made essential points about the way the trailer uses diegetic sound codes and colour tones to create the sense of realism that is key in war /action films. You note the focus on star talent (Bradley Cooper) and the editing that introduces the backstory.
    You are a music student and I was particularly struck by your confident identification of the sound: the Shepard Tone is an interesting audio illusion that creates the impression of an always rising or falling pitch that really doesn't get anywhere. Despite feeling like always going up or down, is always stuck in an eternal auditory fractal.

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  3. GRAVITY: Your fluent analysis shows thoughtful understanding of how the trailer fulfils its promise of drama / sci-fi thriller, creating the protagonist’s experience of panic, peril and terror though synchronised sound codes of breathing, non-diegetic sound (you identify the Shepard tone again) and vision editing. You note how the film’s genre is immediately established through the mise-en-scène. You draw attention to the trailer’s use of star power (Cuaron, Bullock and Clooney) and the placement of the Warner Bros ident.
    To improve: what is the emotional impact of the opening intertitles and why is there silence? How does the trailer develop Sandra Bullock’s character to make more than an anonymous astronaut? Does the quality of complexity, dramatic texture, in this trailer derive from its structure of distinct sections?

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  4. THE BIRTH OF A NATION
    You comment well on the effect of the inter titles that refer to the prestige of Sundance and the documentary realism. You identify the genre and note how the colour palette reflects the darkness of the theme and historical tragedy of the slaves’ oppression. You pick out two ways in which sound codes engage audiences: the sound of chains, connoting slavery, and the use of the song ‘Rise Up’.
    To improve: This is a real epic of a film trailer, with huge breadth in its narrative arc as it traces both the history of slavery and rebellion, and the personal evolution of Nat Turner from preacher of submission to fiery leader of rebellion; the trailer’s complexity, power and scope really deserve a more detailed analysis.

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  5. CLOVERFIELD From the first sentence, you keep clearly at the forefront of your analysis the main purpose of a trailer: to recruit audiences by engaging their interest. You identify editing as the most distinctive feature in JJ Abram’s arsenal here, with its defiant and rule-breaking distinctive style, connoting found footage, which deliberately withholds information. You respond to the unsettling quality of the cinematography and sound.
    To improve, consider the ways in which this trailer, although it seems to break all the rules, there is in fact underlying structure and cohesion. For example, identify the protagonist, the way genre is signalled, the narrative arc from the normality of party to the discovery of NY’s complete disintegration (symbolised by the glimpse of the Statue of Liberty), the brief hints of the causes of the panic and terror, the reasons for the camcorder creating a sense of cinéma vérité (“You’re filmin? Because people are gonna want to know.”).

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